Ozymandias Media

Ozymandias Media Demo Reel

Oz — Fri, 10 Feb 2012 01:32:00 +0000

This 1 minute reel demonstrates our various interview shooting styles, b-roll and videography, as well as graphics and animation.

Equality & Respect: How I’m Equal to Hugh Jackman

Oz — Mon, 05 Dec 2011 21:28:15 +0000

Professor Aeon Skoble envisions a world in which he realizes his dreams of silver-screen stardom, and the iconic Wolverine star proves one can type with adamantium claws.

Client: The Institute For Humane Studies
Series/Project: LearnLiberty.org
Location: Washington, DC
Shot on Canon EOS 7D

Short Circuited: The Challenges Facing the Online Learning Revolution in California

Oz — Wed, 09 Nov 2011 23:40:11 +0000

The Pacific Research Institute’s Lance T. Izumi explores the ways in which teacher’s unions are blocking valuable and proven technological advances from classrooms and the reasons why.

Client: Pacific Research Institute
Production Partner: Lur Films, Director Nick Tucker
Project: Short Circiuted

Freedom in the 50 States

Samson — Wed, 19 Oct 2011 21:01:13 +0000

How free is your state? This motion graphics video highlights the important findings of “Freedom in the 50 States,” a study measuring how free each state in the United States is compared to its neighbors. Watch and find out how your state measures up.

Client: Mercatus Center
Project: Freedom in the 50 States
Locations: Washington DC
Shot on Canon EOS 7D; Reflecmedia Greenscreen Technology

Jackpot Justice: Lawyers Gone Wild

Samson — Wed, 19 Oct 2011 20:52:32 +0000

Episode 1 of this documentary web series asks,”Just what is tort law? Why is it important to you?” We then look at the excesses built into the current US system and why it must be reformed.

Client: Pacific Research Institute
Production Partner: Lur Films, Director Nick Tucker
Series/Project: Jackpot Justice: A Documentary Web Series
Locations: Washington DC, Philadelphia,PA, Austin TX, Corpus Christi TX, San Antonio TX, Miami FL, Atlantic City NJ, Atlanta GA, Los Angeles CA, Sacramento CA, San Francisco CA,
Shot on Panasonic HVX200A; Reflecmedia Greenscreen Technology

Jackpot Justice: Judicial Hellholes

Samson — Wed, 19 Oct 2011 20:46:49 +0000

Episode 2 of this documentary web series explores the unfortunate reality of Judicial Hellholes, which are cities and counties across the US that have unjust rules and polices that make them attractive to plaintiff lawyers going after against business owners and corporations. We examine how elected judges vs. appointed judges effect outcomes as well as the consequences for the people who live in these areas.

The Taking Tree

Samson — Sat, 24 Sep 2011 04:26:07 +0000

What if Shel Silverstein’s Giving Tree wasn’t so… giving? And instead of a boy, he had an alliance of politicians pestering him? This spoof was produced for DrunkDictator.com.

Client: Drunk Dictator
Location: Playa del Rey, CA

The Story of Solyndra

Samson — Sat, 24 Sep 2011 04:18:42 +0000

This motion graphics video is part one of a series produced to hit the newscycle on the bankruptcy of solar panel company, Solyndra, and the controversial federal loans it received, 535 million dollars in taxpayer money now lost.

Client: NJI New Media
Series/Project: The Story of Solyndra
Location: Playa del Rey, CA

Atlas Shrugged DVD Commentary: Rearden Metal Is Not For Sale

Samson — Mon, 05 Sep 2011 16:36:10 +0000

2011 marked the year Ayn Rand’s epic novel, Atlas Shrugged, made it to the big screen. In this scene commentary, David Kelley of the Atlas Society highlights the differences between a producer and a looter.

Client: The Atlas Society
Series/Project: Atlas Shrugged DVD Scene Commentaries
Location: Washington, DC
Shot on Canon EOS 7D; Reflecmedia Greenscreen Technology

Atlas Shrugged DVD Commentary: Rearden and His Dependents

Samson — Mon, 05 Sep 2011 16:33:21 +0000

2011 marked the year Ayn Rand’s epic novel, Atlas Shrugged, made it to the big screen. In this scene commentary, David Kelley of the Atlas Society delves into the relationships between steel magnate Hank Rearden and his family and friends. Why does Reerden always gives into them? He thinks it is because he is strong and they are weak, but is that truly the case?

Client: The Atlas Society
Series/Project: Atlas Shrugged DVD Scene Commentaries
Location: Washington, DC
Shot on Canon EOS 7D; Reflecmedia Greenscreen Technology